NATURAL VOICE LEADERS MODULAR TRAINING 2018

NATURAL VOICE LEADERS MODULAR TRAINING 2018

With Frankie Armstrong and Sarah Harman Visiting Tutor Darien Pritchard

Abbey Sutton Courtenay, Abingdon, Oxfordshire

13 th to 16 th April 2018

AND

8th to 11th June 2018

N.B. Participants must attend both modules

Frankie Armstrong and Sarah Harman will lead this training and will be joined by visiting tutor Darien Pritchard. (see biographies below). The Natural Voice Leaders’ Training has been running since 1988 and, we now offer this two part modular course for those who might find it difficult to attend a full residential week. This course offers a unique opportunity to attend an intensive, residential training (over two long weekends) focusing on the melodic natural voice. It is designed for people who already run voice workshops or singing groups, those who wish to, or those who want to incorporate voice into their existing work. Places on the modular course are limited to 8 people. In addition to individual and group activities to help people focus on their own needs in these areas, we also look at:

• working on and making the most of your own voice,

• the appropriate stepping stones to help others make the most of their voices,

• the process of working with groups,

• creating and setting up improvisations,

• structuring and pacing workshops,

• dealing with difficult situations/individuals,

• contexts in which this approach can be applied.

• starting and sustaining choirs and other groups

Participants will be provided with a course handbook which will support the work covered on the course and also includes practical information on areas around freelance working as a voice leader. As well as bodywork being an integral part of the training course, there are daily body/voice preparations sessions, focusing on aspects of body release and energizing that relate directly to vocal expression. In addition to this daily physical preparation, visiting specialist Darien Pritchard will help participants understand the anatomy around breathing and will use his expertise as a Feldenkrais teacher to help participants maximize vocal release.

Please look at the About page of the Natural Voice Practitioner Network website (www.naturalvoice.net) for a clear outline of the style and approach of this course.

Even if you have attended a workshop with Frankie or Sarah before, we would like to have a chat with you prior to booking to ensure that this is the right course for you. Please phone Frankie (+44) 029 2048 0429 or

Sarah on (+44) 1874 713 184

FOOD: is delicious, freshly cooked vegetarian.

For Special Diets, contact the Abbey at least one week before the course. Abbey Sutton Courtenay, 01235 847 401 admin@theabbey.uk.com

ACCESS: For access enquiries, contact Abbey Sutton Courtenay direct.

LOCATION: Detailed information on Abbey Sutton Courtenay can be found on their website www.theabbey.uk.com. The nearest bus and train stations are at Didcot Parkway (from where a taxi or bus can be taken). We will give you fellow participant’s contact details close to the course time to facilitate lift sharing.

TIMES: Each module will start on the Friday evening (i.e. Module 1: 13th April and Module 2: 8th June). You can arrive after 6pm and an evening meal will be provided. We will finish by 3pm on the Monday afternoon.

COST: The total course fee is £1240. This consists of:

• a non-refundable deposit of £300 to reserve your place

• a 2nd installment of £470 to be paid by the 15th January 2018

• a final payment of £470 to be paid by 15th March 2018

OR you can pay an ‘early bird’ fee of £1200 (£40 discount) for paying in full by 15th January 2018

IMPORTANT: Cancellation arrangements apply – see booking form

[Note: Some past participants have managed to organise grants from Arts Training bodies, appropriate charitable bodies, through workplace further training and retraining schemes, and via “Arts and Business”.]

Applications: Sarah Harman sarahharmany@btinternet.com

The tutors

FRANKIE ARMSTRONG (www.frankiearmstrong.com) has sung professionally in the folk scene and the women’s’ and the peace movements since the 1960s. She pioneered community voice workshops in 1975. She continued her previous trade as a trainer in social and youth work alongside the voice workshops for a decade, before focusing exclusively on the voice workshops and singing. Frankie has made 10 solo albums as well as featuring on numerous shared and themed recordings, contributed chapters to 11 books, has written an autobiography (As Far As the Eye Can Sing) and co-edited Well Tuned Women (on women and voice) with Jenny Pearson. Her most recent book (with Janet Rogers) is Acting and Singing with Archetypes. It was her passion for the traditional styles of singing in the British Isles and from around the world that informed the development of her voice and singing workshops. Having been involved with folk and political songs since the 1950s, she’s always been fascinated by the way that voice can enhance the individual’s sense of well being and also develop a sense of community. It can link us to the thread of song that comes down to us from our ancestors. Hence she has always been interested in exploring voice and song in its historical, cultural, political and spiritual dimensions. She also sees the voice as a tool to aid our self-expression, creativity and confidence. Over the past two and a half decades she has especially focused on the body-voice connection, having worked and trained with a variety of bodywork and movement teachers.

Whatever the focus of the workshop, she believes in creating a supportive, generous atmosphere where people do not feel judged or under pressure to get things “right”. The intention is to help us all find a creative balance between relaxation and energy. Frankie runs a variety of workshops: If You Can Talk You Can Sing, Singing From the Souls of your Feet, Song Interpretation and Performance Skills, The Joy of Simply Singing Together, The Voices of the Archetypes of Myth, and Voice & Movement – Qualities and Rhythms and does bespoke voice workshops for organizations, theatre companies etc.

Over the years she has run workshops with almost every kind of group – for children of all ages and abilities, professional theatre companies, community and women’s groups, people with disabilities, drama students, therapists, psychiatric patients, folk song students and the elderly. And for over 20 years, she has taken ‘apprentices’ and run training groups (often with Darien Pritchard) to pass on her approach and style of voice work. In London, Frankie is a guest teacher at the Central School of Speech and Drama (both on the drama therapy course and the Voice MA), and has worked regularly at the National Theatre Studio. She has been a tutor at International Voice Conferences in the UK, Australia and North America. She is President and founder of the Natural Voice Network (UK), which grew out of these training weeks, and is an honorary member of the Voice and Speech Trainers Association (VASTA) of North America.

Sarah Harman originally trained and worked in the theatre, and has been leading singing workshops and choirs since 1988. She has led groups with absolute beginners, disabled people, young people on probation, and in schools, hospices, hospitals and community settings, and has worked in Nicaragua, Australia and Spain. She is particularly passionate about working with disadvantaged communities, and believes that singing together in harmony is a fantastic way of bringing people together in supportive community.

Sarah currently runs four community choirs in South Wales and regular ‘Music and Memories’ sessions for people with dementia. She will bring her experience of establishing and leading long term groups to the Voice Leaders training.

With a strong belief that leading workshops requires considerable skill, awareness and planning, Sarah has developed workshop materials and exercises to help singers gain the ability and learn techniques for leading effective, inclusive and inspirational workshops.She has been designing training for workshop leaders and voice teachers since the early 90s, and worked as Training Manager for Community Music Wales. She has also worked for the Arts Council of Wales and leads training for Citizens Advice (on Training and Supervision Skills, Mental Health and Dealing with Aggression).

Sarah is a song-writer and regular performer in styles ranging from folk to Baroque classical music. She sings with the duo Blameless Hussies, and with her quartet, The Quiet Ranters. The songs she writes and sings are witty and thoughtful, bringing together the personal and the political.

Sarah and Frankie

Sarah and Frankie have run a variety of trainings and workshops together over the past two decades. These include Access and Inclusion, group-work skills, voice development and improvisation, as well as teaching songs from a variety of cultures and those that focus on social justice. They also perform together occasionally.

DARIEN PRITCHARD (www.dynamicmassage.co.uk) has been a body worker for 40 years, including 25 of training massage professionals. He is qualified practitioner of massage and the Feldenkrais Method® of movement awareness. For 12 years, he was a co-director of the Massage Training Institute, a UK-wide organization of holistic massage schools, and for 5 years taught massage in a university degree course. For 30 years he has run a programme of professional development workshops for massage practitioners. He is the author of two massage textbooks.

He and Frankie have run workshops together for 25 years (including the training courses since 1988). Darien provides the detailed bodywork component that:

• prepares the body for free vocal expression;

• and aids understanding of aspects of our anatomy and their relevance to giving voice.

2017/18

2018

4th January – Frankie and Darien will be throwing a festive ceilidh for all of their local musical, singing and dancing friends.

5th January – Frankie is singing as part of an alternate fashion show in East London. The clothes are designed by John Skelton and inspired by costumes that have appeared in British traditional folk rituals dances and plays.

12th – 14th January – NVN Annual Gathering; it’s now over twenty years since the first annual gathering, the Natural Voice Network has since grown to over 560 members.   Frankie has recently been made president of the network, as it was inspiration from her workshops and trainings that the network has developed.   Frankie has been invited to give the keynote presentation and will also be giving a taster workshop on the Voices of the Archetypes of Myth.

11th February – 1st April – Frankie will be in Australia. She will be working with the students from the National Institute of Dramatic Arts (NIDA) whilst in Sydney, and will be working in Brisbane, singing at a concert with instrumentalist Philip Griffin and running a workshop.

Anyone interested in contacting Frankie in Australia please email her or should you wish to speak to her by telephone, her mobile in Australia is (0061) (0) 410709506

13th -16th April – The first weekend of the Modular Voice Leaders Training. Please see the Voice Leaders Training page, or https://naturalvoice.net

21st April – There is a meeting of the Traditional Song Forum of which Frankie has been a member since its inception, which will focus on the centrality of words in the performance of traditional song.

1st May – Acoustic Music Club. suitable songs for the 1st May.

11th – 22nd May – Sarah Harman and Frankie will be visiting France and will be running a variety of workshops in the South West region.   For further details please contact Sarah Harman on sarahharmany@btinternet.com

8th – 11th June – The second weekend of the Modular Voice Leaders Training.

Please see the Voice Leaders Training page, or https://naturalvoice.net

29th June – 2nd July – Frankie will be recording with two young singers Ben and Alasdair in Brighton. They are making a totally unaccompanied album together.

28th July – 3rd August – Frankie will be running a weeklong workshop on the Voices of the Archetypes of Myth with Darien Pritchard, Janet Rodgers and other colleagues who have trained and qualified in this work, in Cape Cod, US. Any enquiries please contact janetbeecherrodgers@gmail.com

31st August – 2nd September – Frankie and her colleague from Australia, Monica Redden, are again presenting at the international conference on Arts and Leadership, this time in the UK in Brighton.   This will involve a day workshop looking at archetypes as well as presentation on how and why voicing and singing together can help group energy and a sense of community.

20th – 27th October – Frankie and Sarah Harman will be running the Voice Leaders Training week. Please see the Voice Leaders Training page, or https://naturalvoice.net

Whats She Got To Smile At?

whatshsegot side

“Frankie Armstrong takes on Brecht and wins. From the tenderness of The Song of the Little Wind to the heartbreak of The Love Market to the harsh defiance of Pirate Jenny Frankie delivers performances perfectly in tune and in sympathy with Brecht’s lyrics and the music of Weill and Eisler.” Leon Rosselson

Exciting events for the New Year 

In January, Frankie will be spending nine days as vocal coach for The House Bernarda Alba, with the extraordinary Kathryn Hunter in the lead.  This is a Graeae Production opening at the Royal Exchange Theatre, Manchester with previewing on February 2nd, 2017.  This play by Garcia Lorca has long been one of Frankie’s favourite plays with its all female cast and extraordinary power and its language and imagery.
Later in the year Frankie will be teaching at a theatre performance school in Singapore and running a workshop at the VASTA conference which is being held in Singapore for the first time.
Frankie has also been invited back to teach on the MA Voice at the National Institute of Dramatic Art in Sydney, Australia, aswell as her regular stint on MA Voice at Central School of Speech and Drama, London.
Both Voice Leaders Training courses in 2017 are filling up with a range of people from around UK and Australia.  If you are interested please have a look at the Voice Leaders Training page for further information.

As Far as The Eye Can Sing

as_farFrankie’s autobiography ‘As Far as The Eye Can Sing’ edited by Jenny Pearson, published by Pirate Jenny Publications and available from (ISBN 9780 9576 3950 8 and/or ISBN 0 7043 4649 4)

Well Tuned Women – Growing Strong through Voice Work

well_tuned‘Well Tuned Women – Growing Strong through Voice Work’ the exciting new book that Frankie co-edited with Jenny Pearson, containing essays from leading international women voice trainers and artists, is also published by Pirate Jenny Publications and available from’ (ISBN 9780 9576 3950 8 and/or ISBN 0 7043 4649 4)

Compilations

Frankie is on a Topic reissue ‘Bird in the Bush – An amorous and erotic song collection’ with other singers (TSCD 479);
and is also featured on a Topic compilation ‘Round Cape Horn – Traditional Songs of Sailors, Ships and the Sea’ (TSCD 499)
Topic Records

she sings “Banks of Green Willow” on ‘Voices – English Traditional Song’, a Fellside compilation disc (FECD 87);
“Tam Lin” on ‘Ballads’ (a Fellside compilation of singers performing traditional ballads – FECD 110). www.fellside.com

Encouragement

  • Frankie Armstrong: vocalsencouragement_1
  • Bob Evans: crwth
  • Anthony Ingle: piano accordian and vocals
  • Sarah Harman: vocals (track10)

(Fellside Records; FECD 208 ) (Enquiries/Mail Order: Paul Adams, Fellside Records. 01900 61556 www.fellside.com.

Lovely on the Water

A reissue of Frankie’s first solo LP, with extra tracks from the 60s & 70s (FECD 151)lovely-on-the-water.(Enquiries/Mail Order: Paul Adams, Fellside Records. 01900 61556 www.fellside.com

The Fair Moon Rejoices

Frankie’s earlier album has sold consistently well – her reputation is excellent. This second release is our long awaited CD of the-fair-moonFrankie singing a collection of very powerful, mostly contemporary material, with Joan Mills, Biddy Wells, Peter Stacey, Ben Lawrence, Geoff Haynes and Darien Pritchard
www.harbourtownrecords.com – HARCD 027

Ways of Seeing

“You’d be hard pressed to find a singer with a voice as powerful, versatile and expressive….Frankie has the remarkable ability to vividly convey ways_of_seeingthe imagery of a song, capture and project it’s every nuance, and perfectly exploit the natural tensions of lyric and melody, always giving her words space to breathe”. “Ways of Seeing” is a powerful set of live concert recordings featuring Frankie singing on her own, in duets and with up to ten other women
www.harbourtownrecords.com– HARCD 009

Celebrating Subversion

6pp digipackTwenty nine songs and one visionary poem on 2 CDs from singers & songwriters Frankie Armstrong, Roy Bailey, Robb Johnson, Reem Kelani, Sandra Kerr, Grace Petrie, Leon Rosselson, Janet Russell, Peggy Seeger, Jim Woodland and socialist magician Ian Saville. Eleven different voices with one aim – to challenge the narrative that says, There is no alternative.

Singing from the Soles of the Feet

For thousands of years, our ancestors sang to accompany work, devotion, seasonal rituals and social gatherings – to express joy, grief, rage, tenderness, hope and fear. All these emotions can be given full range through the power and beauty of the voice.

To help unlock this, Frankie uses a range of gentle movements and exercises to help relax and free the body and voice. She focuses on how to involve the whole body – to give rise to the voice from the feet on up. She uses chants and songs from around the world, along with simple structures to create vocal ‘events’.

If You Can Talk You Can Sing

Frankie believes passionately that singing is our birthright. For thousands of years our ancestors sang as naturally as they spoke. They sang to accompany everyday activities – at work, at play, at devotion and dance – and for their own pleasure. No one was excluded, so everyone’s skill and confidence developed naturally. This workshop is an opportunity for anyone to explore the melodic voice in an easy-going, supportive atmosphere. The aim is to tap into the joy, strength and energy of singing with others, and to find a range of colour and expression in each of our voices. This is especially helpful for people who have little confidence with their melodic voice.

The Joy of Singing

Singing is one of the easiest and most accessible ways to give us a feeling of well-being, relaxation and energy. Singing with others also allows us to create a sense of communal celebration. Recent medical research has verified how parts of the brain’s pleasure centres are stimulated by singing, and how fuller breathing stimulates the circulation. We start with simple body loosening and voice exercises. These lead into ways of playing with creative vocal expression. The workshop also includes songs and chants from different parts of the world. The workshop is open to anyone regardless of their prior experience. We create a supportive, easy-going and playful atmosphere, with an approach of exploration rather than ‘getting it right”.

Performace Skills Workshop

Historically, song has been used to bind communities, pass on stories and legends, comment on contemporary happenings, poke fun and amuse, commemorate / celebrate life’s important events, and to accompany work, devotion and recreation. Lacking these community contexts, how do we find our way into the heart of a song and communicate it? Indeed, how do we select songs, why do they speak to us, and why do we wish to sing them to others? This workshop explores how best to sing a song in the light of these questions – exploring such essential ingredients as vocal quality, phrasing, emotional truth and presence. There will be time for any participant who wants to work on a particular song.

Finding your Voice

Our voice is the most intimate expression of ourselves – both in speech and song. This workshop offers an opportunity to explore our voices, and to discover the wondrous variety of expression, colour and range that we are capable of.

We will create a supportive, non-judgemental space and use many simple and enjoyable games, exercises, chants and songs to aid relaxation and freeing voice and body. So much of what we communicate is in the ‘music’ of the voice. Hence the greater awareness we have of our own ‘music’, the more effective we can be.

Everyone is welcome but this workshop is of particular interest to those who use their voices as their professional instrument of communication – e.g. teachers, trainers and counsellors.

The Voices of the Archetypes of Myth

This workshop provides an exciting way to expand and liberate vocal colour, range and expressivity. It uses movement, imagination and storytelling to access a wide range of vocal qualities and expression through exploring figures that inhabit the world’s mythology, such as The Huntress, The Trickster, The Child, The Mother and The Crone. These archetypes are not a character or caricature but a particular aspect or quality in all of us.

Singing For Everyone

Workshops for Teachers and Educators The workshop is suitable for anyone interested in singing, acting and self-discovery. Singing is our birthright; recent research shows that our ancestors have been singing for at least fifty thousand years and that music is ‘hard-wired’ into us. For the last thirty three years, Frankie Armstrong has pioneered workshops based on this premise – immersing participants in an approach to singing that replicates the organic development that occurs in cultures where people sing as naturally as they talk.
This approach could be called ‘social singing’. Here the impulse behind singing is essentially cooperative and communal, as people sing from the cradle to the grave, to accompany ritual, work and devotion, and for pleasure.

The aim of these workshops is to enable educators to increase their range, resonance, enjoyment, ease and confidence with their voices, and to give them an approach and materials to offer in turn to their pupils.

Frankie’s approach includes the following elements:

  • simple, valuable warm-up exercises that prepare the body and voice for strain-free energised singing
  • easy, fun yet systematic ways of understanding the body-breath-voice relationship
  • playful, practical ways of approaching voice that to help bypass the negative experiences that many people have about ‘singing’ in our culture, and to help develop their innate musicality
  • simulated work activities (such as those undertaken by our ancestors) with the time-honoured pattern of call and response
  • ways of further freeing the voice and exploring and playing with sound and melody
  • the use of imagination and concrete imagery to explore aspects of the voice (e.g. ‘being elephants’ – to enable participants to feel both strong and soft)
  • chants, songs and rounds from around the world that are suitable for children and young people – varying in complexity, harmony and rhythm according to age and experience
  • guidelines on teaching songs that are designed to be inclusive and do not require the ability to read written music (i.e. learning by listening and copying, as people have learnt throughout most of human history, and has recently been revived by the Suzuki Method of instrumental teaching)
  • simple structures for group improvisations that enable people to participate at their own level, and to develop their own harmonies

Note: All of this work on voice will also help teachers with the strain-free, expressive spoken voice.

A crucial aspect of this approach is the creation of a supportive, non-judgemental atmosphere by:

  • fostering curiosity and discovery rather than imposing rigid notions of having to “get it right”
  • enabling each participant to develop from their own level of experience and skill, whatever this may be
  • and leaning by doing, then reflecting and evaluating

Frankie has been singing professionally since 1964, and also calls upon a background in social, youth and group work. She is committed to voice and song as a way of increasing personal and group confidence, as well as musicality and expressivity.